ARC’s first creative specialist, João Fiadeiro , is coming for a site visit to Lawrence from the 8th to the 12th of October. João’s practice comes out of dance, movement, and performance and he has worked with neuroscientists and anthropologists in his previous work. While in Lawrence he is going to meet faculty members and staff that he hopes to collaborate with on his residency in February 2015. Below you will find a link to his website. He and his company are based in Lisbon.
Many thanks to our Graphic Designer, Jeffrey McKee, and our Web Programmer, William Hopkins. They did a great Job.
These interviews were done for the upcoming exhibition that ARC is doing at the university’s Watson Library called Art+Science: Collaborative Research at The University of Kansas.
A growing trend in American universities is the Practice-led PhD. This is a research degree attained through practice. For the purposes of this blog post we mean art practice but there are many forms of practice that can be used for generating new knowledge and thus creating research. The idea of creating research through practice has been around for some time in programs at the Royal College of Art and Texas A&M. It wasn’t until the Bologna process began in 1999 that research through art practice began to gain some real impetus. James Elkins has done an extensive but not exhaustive amount of work on the history and development of the practice-led PhD that is useful for mapping out the fast moving changes of the degree. Ultimately questions surrounding the practice-led PhD are questions about practice-led artistic research and its value to the larger corpus of academic knowledge. Many in the academic art community, still smarting from the wars over the MFA, dismiss it as a further professionalization of artistic practice or another level of academic gatekeeping. I would argue that since the massive proliferation of art students, which started in the 1980’s, there has become a need for the expansion of academic art just as there has been an expansion of community based practices. Research through art then brings us to another issue; what knowledge is generated through practice? As pluralist art practices flourish each practice is potentially a source of new knowledge. Questions related to sociology could be answered through ceramic practices or distribution system problems could be answered through social practice. Like any other PhD, research questions must be formulated with the means of answering those questions in mind. The outcomes will then be scrutinized by the researcher’s peers in the academy, just like any other discipline. This does not mean that all practice-led research is good any more than all theoretical physics research is. The most salient point though is that the arts have something to contribute to the larger corpus of academic knowledge and now there are clearer means for that knowledge to be shared. Below you will find links to some writing about practice-led research.