Tag Archives: LACMA

Call for Projects – Hybrid Practices Conference

Rockne Krebs  Sun Cage for "Atlantis", 1973
Rockne Krebs
Sun Cage for “Atlantis”, 1973

CALL FOR PAPERS AND PRACTICE-BASED PROJECTS
Hybrid practices in the arts, sciences, and technology from the 1960s to today

Arts Research Collaboration initiative (ARC)
Spencer Museum of Art
University of Kansas
Lawrence, KS, USA
http://www.spencerart.ku.edu

Submission deadline: Nov. 1, 2014

In partnership with the Terra Foundation for American Art, the Spencer Museum of Art (SMA) at the University of Kansas (KU) is organizing a conference on hybrid research practices in the arts, sciences, and technology from the 1960s to today. Distinguished scholars involved in the conference include D. Graham Burnett (Cabinet magazine) and Anne Collins Goodyear (Bowdoin College Museum of Art). Together with papers, roundtables, and keynote presentations, the conference will incorporate performative and event-based creative projects grounded in hybrid art-science-technology research. Selected conference presenters will be invited to a follow-up colloquium, led by David Cateforis (KU) and Shepherd Steiner (Emily Carr University) in May 2015. We anticipate publishing selected papers and projects in an edited volume that serves as both conference proceedings and guide for researchers undertaking work in this field.

To date only a small group of scholars has focused attention on collaborative projects between artists and practitioners in technological and scientific fields during the 1960s and 1970s. Hybrid Practices seeks to broaden our understanding of this pivotal period in U.S. history and in American art by investigating the cultural, political, and social factors that enabled and encouraged such projects to emerge. Although the conference will focus on the United States, we intend to include international perspectives and welcome applications from scholars and practitioners based in other countries. By thoroughly examining early research collaborations among artists, scientists, and technologists, we will establish a context through which to explore the resurgence in hybrid research practices today.

We are seeking proposals for papers and practice-based projects that explore one or more of the following aspects of hybrid artistic research:
1. Key hybrid projects from the past 50 years, including but not limited to Experiments in Art & Technology (Bell Laboratories), Art & Technology (Los Angeles County Museum of Art), and the Artist Placement Group (U.K.)
2. Shared vocabularies among the arts, sciences, and technology, and the role of language in cross-disciplinary collaboration
3. The impact of interdisciplinary work on the identity of the hybrid practitioner

Papers may be organized as case studies or theoretical approaches to the topic. Case studies should focus on one or two projects; they may interrogate the historical moment of the project’s existence, the hybrid methodology involved, and/or the impact of the work as it was assessed both at the time the project took place and in the present. Participants are encouraged to use archival material in these case studies. Theoretical papers may address multiple projects across a broad geographical or historical range. While the conference’s theoretical framework will draw on the work of French philosopher and science historian Michel Serres, participants are not limited to examining his ideas in their papers.

Practice-based projects should explore the same themes as papers while keeping in mind the physical and temporal conference setting. Hybrid Practices will be held at The Commons (www.thecommons.ku.edu), a space dedicated to fostering closer relationships among the sciences, humanities, and arts. It is a fully mediated event space rather than an exhibition space, so practice-based projects should not require sustained display. Applicants are encouraged to submit proposals for projects that could reasonably be produced in this setting. Logistical arrangements for selected projects will be developed in consultation with SMA staff.

SUBMISSION PROCESS

Please submit abstracts of 150–200 words in English, along with a bio of approximately 100 words, to smahybrid@ku.edu. Up to five images may be included to support your proposal.

IMPORTANT DATES

2014

November 1: Deadline for submission of abstracts

November 21: Notification of acceptance

2015

February 9: Deadline for submission of accepted papers

March 10–13: Conference in Lawrence, Kansas

May 29: Follow-up colloquium in Lawrence, Kansas

2016

January: Proceedings published

LACMA’s Art + Technology Lab & the UCLA Art|Sci Lab

LACMA's Art + Technology Lab & the UCLA Art|Sci Lab

Day 2 of the ARC research trip took Saralyn Reece Hardy, SMA Director, Steve Goddard, Associate Director and Head Curator, and me to the Los Angeles County Museum of Art. There we met with Amy Heibel the associate vice president of technology, web, and digital media there who is also running the Art + Technology Lab. Amy was kind enough to tell us about the private partnerships the museum developed to get the project started and how the museum was moving toward a more user based model. Amy took us to their space in the Balch Library and told us about some of their plans for the future. If you click on the link below you will see the start of what promises to be a great project in the spirit of LACMA’s seminal ‘Art & Technology’ exhibition. After our visit with Amy we saw a lot of great art including the James Turrell retrospective and ‘See the Light: Photography, Perception, Cognition’.

http://www.lacma.org/

http://www.lacma.org/LAB

Our second visit that day was to UCLA again where we met with Christina Agapakis who has created a very interesting hybrid practice between visual art and synthetic biology. Christina was kind enough to show us her lab as well as give us a tour of the campus on our way to visit the Art|Sci Lab in the Broad Center for Art. Christina introduced us to the lab’s director Victoria Vesna who told us about all of the projects that they were doing. Victoria told us about how she felt that the core of a good collaboration was friendship and that a real collaboration was one that lasted years. She also told us about their Nanolab which is a summer school for young artist/scientists who work with various specialists over their term. The Art|Sci Lab is a really wonderful project and you can read about via the links below.

http://artsci.ucla.edu/

http://victoriavesna.com/

http://agapakis.com/