ARC is happy to announce that our very first ‘Next Steps’ session took place last Thursday, December 11th. The group visited the studio of Michael Krueger (pictured) and the labs of Town Peterson and Sandi Beard. It was fantastic to hear about what Michael has been working on while being a creative fellow at the Hall Center for Humanities as well as Town’s important work on mapping the Ebola virus in Africa, and Sandi’s work on the archeology of horses in the cultures of Kazakhstan and Saudi Arabia. It was great that all three of these scholars were willing and able to present their work and working environment. Thanks to all who came out and we hope to have another session soon.
In partnership with the Terra Foundation for American Art, the Spencer Museum of Art (SMA) at the University of Kansas (KU) is organizing a conference on hybrid research practices in the arts, sciences, and technology from the 1960s to today. Distinguished scholars involved in the conference include D. Graham Burnett (Cabinet magazine) and Anne Collins Goodyear (Bowdoin College Museum of Art). Together with papers, roundtables, and keynote presentations, the conference will incorporate performative and event-based creative projects grounded in hybrid art-science-technology research. Selected conference presenters will be invited to a follow-up colloquium, led by David Cateforis (KU) and Shepherd Steiner (Emily Carr University) in May 2015. We anticipate publishing selected papers and projects in an edited volume that serves as both conference proceedings and guide for researchers undertaking work in this field.
To date only a small group of scholars has focused attention on collaborative projects between artists and practitioners in technological and scientific fields during the 1960s and 1970s. Hybrid Practices seeks to broaden our understanding of this pivotal period in U.S. history and in American art by investigating the cultural, political, and social factors that enabled and encouraged such projects to emerge. Although the conference will focus on the United States, we intend to include international perspectives and welcome applications from scholars and practitioners based in other countries. By thoroughly examining early research collaborations among artists, scientists, and technologists, we will establish a context through which to explore the resurgence in hybrid research practices today.
We are seeking proposals for papers and practice-based projects that explore one or more of the following aspects of hybrid artistic research: 1. Key hybrid projects from the past 50 years, including but not limited to Experiments in Art & Technology (Bell Laboratories), Art & Technology (Los Angeles County Museum of Art), and the Artist Placement Group (U.K.) 2. Shared vocabularies among the arts, sciences, and technology, and the role of language in cross-disciplinary collaboration 3. The impact of interdisciplinary work on the identity of the hybrid practitioner
Papers may be organized as case studies or theoretical approaches to the topic. Case studies should focus on one or two projects; they may interrogate the historical moment of the project’s existence, the hybrid methodology involved, and/or the impact of the work as it was assessed both at the time the project took place and in the present. Participants are encouraged to use archival material in these case studies. Theoretical papers may address multiple projects across a broad geographical or historical range. While the conference’s theoretical framework will draw on the work of French philosopher and science historian Michel Serres, participants are not limited to examining his ideas in their papers.
Practice-based projects should explore the same themes as papers while keeping in mind the physical and temporal conference setting. Hybrid Practices will be held at The Commons (www.thecommons.ku.edu), a space dedicated to fostering closer relationships among the sciences, humanities, and arts. It is a fully mediated event space rather than an exhibition space, so practice-based projects should not require sustained display. Applicants are encouraged to submit proposals for projects that could reasonably be produced in this setting. Logistical arrangements for selected projects will be developed in consultation with SMA staff.
Please submit abstracts of 150–200 words in English, along with a bio of approximately 100 words, to email@example.com. Up to five images may be included to support your proposal.
November 1: Deadline for submission of abstracts
November 21: Notification of acceptance
February 9: Deadline for submission of accepted papers
On March 10th I started a weeklong research junket in California. The first of my visits was to the UCLA Game Lab where I enjoyed the hospitality of the Director, Eddo Stern, and the Game Lab manager, Tyler Stefanich. They talked to me about the origins of the lab and what it is attempting to do. Eddo talked a lot about creating a hybrid culture at the lab that combined DIY, Indie game, and commercial computer gaming cultures. The Game Lab is a fantastic place for artists who see games as a medium for expressing a multitude of ideas. I saw games that explored feminism, racial stereotypes, Animalia, etc. It was a great place for me to start thinking about how institutions are approaching research in California but also how new forms of culture and community need institutional support to thrive and grow in ways that we may never have thought possible. Check out their website to see all of the great work they have done.